Helpful Subject Headings
Subject Headings are standard terms that can be used to find resources on a given topic. The following can be used in either keyword or subject searches:
Violin Call Numbers
| M | Music (scores) |
| M145-175 | Solo percussion |
| M217-285 | Percussion with piano accompaniment |
| M1038 | Percussion with orchestra, full scores |
| M1039 | Percussion with orchestra, piano reductions |
| M1138 | Percussion with string orchestra, full scores |
| M1139 | Percussion with string orchestra, piano reductions |
| ML |
Music literature |
| ML128 .P23 | Bibliographies of percussion music |
|
ML1030-1049 |
Percussion history and criticism |
| MT | Instruction and study |
| MT655-725 |
Technique, methods, and etudes |
| MT655.4 | Orchestral excerpts |
Featured Books
Practical Percussion by
An Object of Desire? Or of Fear? It was stolen from a New Orleans gravethe centuries-old bust of an evil man, a demonic man. It's an object desired by collectors and by those with wickedness in their hearts. One day, its current owner shows up at Danni Cafferty's antiques shop on Royal Street, the shop she inherited from her father. But before Danni can buy the statue, it disappears and the owner is found dead
. Michael Quinn, former cop and now private investigator, is determined to find and destroy this object with its long history of evil and even longer trail of death. He and Danni are drawn together in their search for the missing statue, following it through sultry New Orleans nights to hidden places in the French Quarter and secret ceremonies on abandoned plantations. But Cafferty and Quinn know that their story won't end when this case is closed and the dead rest in peace once again.
Timpani and Percussion by
A history of percussion instruments from the Old Stone Age to the present day. Jeremy Montagu, a performer, historian, and curator of musical instruments, discusses common and uncommon percussion instruments from all parts of the world, tracing their development and use through the ages and across cultures.
The Art of Percussion Playing by
(Meredith Music Percussion). This book combines The Art of Tambourine and Triangle Playing, The Art of Bass Drum and Cymbal Playing and The Art of Percussion Accessory Playing into one volume providing students and teachers with easy access to learning about the important instruments used in orchestra, band and various ensembles including percussion ensemble. It includes history, selection and performance techniques on bass drum, cymbals, tambourine, triangle and 17 percussion accessory instruments, designed for methods classes, school instrumental music classes and anyone interested in acquiring an in-depth understanding of percussion instruments. Especially useful for conductors, composers and arrangers since all essential techniques are covered in short etudes composed for each instrument. Click here for a YouTube video on The Art of Percussion Playing
How to Write for Percussion by
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues thatpercussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes evenfurther as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians.The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition.Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online VideoCompanion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, andpercussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.
The Modern Percussion Revolution by
More than eighty years have passed since Edgard Varèse's catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue. This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.
Bibliographies
Bibliography, History, Pedagogy, and Philosophy in Music and Percussion by
This text contains over 100 essays headed with bibliographic entries, covering aspects of contemporary percussion music. It also contains over 20 essays on a range of subjects from the symphony to the xylophone. Essays of covering analysis, biography, education and history are included.
